When Music and Memories Collide: Tuvan Throat Singing at Marlboro School

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The other day, I had the incredible opportunity to attend a mesmerizing performance of Tuvan throat singing by the Alash Ensemble at the Marlboro Elementary School, a small pre-kindergarten through eighth-grade school in my hometown of Marlboro, Vermont.

It brought up a whole host of emotions.

Tuvan throat singing

The eerie, captivating music produced by the trio’s throats was spellbinding. Every sound humans make contains a spectrum of frequencies, but the magic of Tuvan throat singing is that specific frequencies are isolated and made audible, allowing the singers to produce multiple vocal notes simultaneously.

The band’s manager and interpreter Sean Quirk, introduced us to various styles of Tuvan singing, with each member demonstrating a different technique. My favorite moment was their a cappella opening performance, where the raw beauty of their voices took center stage.

The music was hauntingly beautiful. I’ve shared a short video of this a cappella performance above.

In the company of children

The performance marked the first time being around the children of Marlboro Elementary since the pandemic began over four years ago. Before COVID-19, my wife and I had volunteered at the school for decades. I spent time reading to the fourth and fifth graders weekly, gathered around after their lunchtime recess, sharing both classic and contemporary chapter books.

I love being around kids; their innocence and curiosity remind us of the purity we all possess when we first come into the world.

As I walked into the gym—fondly called “the outback” where school meetings and events are held—I felt a lump in my throat as the children filed in. I hadn’t realized how much I missed being in their presence.

Children and adults alike remained spellbound throughout the performance.

The children’s questions

Toward the end of the performance, we were invited to ask questions, which Stephen Quirk translated for the musicians. The children’s questions were delightful—thoughtful, curious, and brimming with wonder.

The final question came from a pre-kindergartener who asked: “Do you have a cat?” The room erupted in laughter. One musician responded that he had dogs, while another paused and, with a smile, said he had children. More laughter followed. My wife remarked later how the child was seeking a common connection with these musicians who sang in a foreign language and came from a place far away.

Serendipity

I feel blessed to have experienced this performance, especially because it wasn’t on my calendar when I woke up that morning. As it happened, I was dropping off a check for a nonprofit that supports the school to cover the cost of the performance. When I arrived, the school secretary asked if I’d like to attend the afternoon performance. My wife and I had some free time, so we came.

We’re so glad we did.

Creating something beautiful with others

creating something beautiful with others: photograph of Brattleboro Concert Choir members singingFor the last three months, I’ve been rehearsing for the Brattleboro Concert Choir’s performances this weekend of Ernest Bloch’s Avodath Kakodesh. Looking back, I realize I’ve been singing with the BCC for the last ten years.

The first weeks of rehearsal of a new piece are not much fun. I don’t know the music well, and I’m not a great sight-reader. I usually spend a significant amount of time creating a soulless electronic version of my part. Precise tones with precise timings, which I share with my fellow tenors. I attend at least one two-hour rehearsal each week. All this work adds up to a large commitment of time and energy to the two, sometimes three, annual concert performances.

So, given the many other interests in my life, and the large number of attractive opportunities I reluctantly turn down, why do I choose to sing with the Concert Choir year after year?

Why I sing

Part of the answer is my pleasure, as the performance dates approach, of my ability to sing increasing competently at points in the music. Sometimes I experience singing beautifully. Even if it’s only a portion of a phrase that suits my vocal abilities. Feeling in harmony with the musical moment is emotionally satisfying.

But the major rush I, and probably all my fellow choristers, feel is the joy of creating. And being a part of, and sharing a beautiful musical experience with others. No one person alone, however talented, can bring our performance into being. To do so, our musical director, our soloists, our choristers, and our orchestra are all needed and must collaborate effectively at many different levels.

At both performances this weekend, there were times when audience members were weeping.

The conferences I design and facilitate are not rehearsed, and what happens does not flow from a central musical score. But what the BCC performances and Conferences That Work share is the joy of connecting with others to create meaningful experiences, and sometimes profound.

I love being a part of both of these worlds.

And I hope you are lucky enough to be able to experience this connectedness in some way in your life.