Three creative event design tools that all #eventprofs should use

The creative event design tool that all #eventprofs should use: a photograph of an array of Dixit cards

I’m about to share three powerful creative event design tools.

You can use these tools for every aspect of event design. Stylists working on the look and feel of an event often use it to stimulate fresh thinking about the venue, the décor, the lighting, the food and beverage, entertainment, and so on.

Rarely, however, are these tools used to design events that creatively incorporate, illuminate, and support core desires and outcomes for the meeting.

With them, you can generate something truly original — like in 2009, when Jill and Kevin Heinz invented a brand new trope: the wedding entrance dance.

What are the tools? Seth Godin gives us a clue.

What does this remind you of?

What does this remind you of?
That’s a much more useful way to get feedback than asking if we like it.

We make first impressions and long-term judgments based on the smallest of clues. We scan before we dive in, we see the surface before we experience the substance.

And while the emotions that are created by your work aren’t exactly like something else, they rhyme.

It could be your business model, your haircut or the vibrato on your guitar.

“What does this remind you of” opens the door for useful conversations that you can actually do something about. Yes, be original, but no, it’s not helpful to be so original that we have no idea what you’re doing.
—Seth Godin, What does this remind you of?

Seth is talking about getting feedback; we’re interested in being creative so let’s flip the focus. The word “remind” is the key; how do we remind ourselves to come up with something new?

Guided visualization
It turns out that guided visualization (aka guided imagery) is one of the most powerful modalities for tapping our creative and unconscious wisdom. A wide variety of visualization techniques exist and they can be customized to provide creative insights into specific challenges — like event design.

Surprisingly, there are few resources available on how to sculpt guided visualizations for exploration of a specific creative challenge. Most books and posts describe how to use guided visualizations for meditation, health, mental state change, and artistic creativity. Once you’re familiar with the basic principles, however, it’s not hard to adapt these methods for creative event design.

So here are three creative event design tools to use guided visualizations to take a fresh look at an existing event or create a vision for a new one.

Resonant imagery

One technique I’ve used is to display to clients a large number of the fantastical cards (sample shown above) from the popular game Dixit and ask them to pick a few that speak to them in some way about their current event and a few that say something about what they would like the event to become. I encourage people to pick cards without trying to analyze the attraction. We then look at the chosen cards in more detail and explore and uncover what the chosen cards reveal about the current and future potential of the event. Invariably, my clients discover powerful and enlightening perspectives and objectives they weren’t aware of. They are fertile beginnings for a fresh and relevant design.

Drawing

My colleagues Eric de Groot & Mike van der Vijver use another guided visualization approach: they ask a meeting owner to think of the meeting content as some kind of material and describe the “motion” of the meeting content. Clients draw pictures of their answers, which can then be mined for insights. A variant is to ask clients their answer to the question: “If your event had a mouth what would it say?” I’ve used this approach as well and highly recommend it.

Guided journey

Alternatively, an event designer can guide clients on a journey to and through the event in their mind. You can adapt scripts like this one to your needs. Replace traveling to a private garden with a journey to the event venue (if it’s already known and familiar) or an ideal venue that appears in your mind as you walk along the path. Guide your clients through the venue where your future event is in full swing and ask questions. If you are working with a single client, they can answer aloud, which may spark clarifying questions. Multiple clients on the journey mentally note their answers.

What does it look like? What does it sound like? Who is there as you enter the lobby? The meeting rooms? The social areas? What are they doing? How are you feeling? How are the attendees feeling? What are you experiencing that isn’t in your current event? What else are you noticing during your journey?

When the guided journey is over, lead a retrospective to discuss what the clients experienced and learned. In my experience, there will be at least one key insight on how to create or improve the event.

Conclusion

Besides the power of creative event design tools to uncover great ideas for an event, another big benefit is that they generate persuasive client buy-in for the ultimate meeting design. Why? Because the clients “dream up” the ideas themselves! Anything that eases the adoption of a fresh approach to event design makes my (and your) job easier.

Does the world of events need more exposure to the new?

Does the world of events need more exposure to the new? A photograph of an old three-sided inn sign mounted on a wall with the words "OLD" and "NEW" on the left and right sides and a model of the inn on top. Photo attribution: Flickr user 64700647@N06Does the world of events need more exposure to the new? Most of the event technology I’ve been using for the last quarter century is hundreds of years old. It works incredibly well. So, when you’re designing your next event, bear in mind this observation from Seth Godin:

You might not need more exposure to the new. Instead, it might pay to re-see what’s already around you.
—Seth Godin, What do you see?

Re-seeing technology is hard because technology is anything that was invented after you were born. Technology that’s older than you is mostly invisible, taken for granted like the air you breathe. Only when the wind blows you might notice, for a moment, that something important is all around you — but your attention quickly returns to the smartphone in your hand.

Yet none of the event technology that can drastically improve your events requires a smartphone or even spending much money.

Don’t ignore the wind. Instead, harness it and explore its possibilities.

Does the world of events need more exposure to the new?

Not necessarily!

Photo attribution: Flickr user 64700647@N06

How to get attendees to risk doing something new at your event

How to get attendees to risk doing something new at your event: a photograph of a sign on a beach that says
"ATTENTION
BEYOND THIS POINT YOU MAY ENCOUNTER NUDE BATHERS"Getting your attendees to do something new at your event can be hard. For example, Seth Godin illustrates the problem:

“Want to go visit a nudist colony?”

“I don’t know, what’s it like?”

“You know, a lot of people not wearing clothes.”

“Show me some pictures, then I’ll know.”

Well, actually, you won’t.
You won’t know what it’s like merely by looking at a picture of a bunch of naked people.
The only way you’ll know what it’s like is if you get seen by a bunch of naked people. The only way to have the experience is to have the experience.
Not by looking at the experience.
By having it.
—Seth Godin, Experiences and your fear of engagement

Now you’re probably not taking your attendees to a nudist colony for the first time. (Nudist associations, I did say probably.) But introducing a new event format where an attendee has to do something different, like interact with other attendees or play a game, will usually evoke uncomfortable feelings for some or many attendees, ranging from mild unease to outright fear.

So how can we encourage attendees to take the risk to try something new?

By having them do something new together.

A caveat — allow attendees to opt-out

Whatever we are asking attendees to do, it’s important to always provide an option for individuals to opt out. How to do this depends on the circumstances. For example, running an activity as a concurrent breakout or an add-on to the main program implies that participation is optional. But if the activity is a plenary session, then you should always give an opt-out provision after introducing the activity and before participation starts.

(This doesn’t mean that attendees necessarily get to pick and choose how they will be involved with the activity. For example, when I run The Solution Room I make it clear that those present who choose to attend can do so only as participants and not as observers. If they choose not to participate, I ask them to skip the session.)

Strong scientific research performed over fifty years ago has shown that groups are more likely to accept taking risks than the members individually (e.g. see diffusion of responsibility and level of risk-taking in groups for supporting research). Seasoned facilitators know this. Working with groups we can routinely get members to do things collectively that they might balk at as individuals.

Simply asking a group to do something perceived as risky is not all that’s required, however. Supplying or obtaining agreements on how the group members will work together helps create a safe(r) working environment for risk-taking. In addition, if the group members are mostly strangers to each other, it can be helpful to provide appropriate and meaningful activities for them to get to know each other before moving into new kinds of work. Finally, begin with low-level risk activities and then move to those perceived as more risky. This will help a group obtain experiences that they would have resisted had I asked them to participate right away.

The power of group process
Change is hard. However, the potential of group process to successfully introduce people to beneficial experiences that might be judged beforehand as scary or risky allows us to create powerful new experiences for attendees at our events. Furthermore, new experiences that incorporate valuable learning and build new personal connections are one of the most powerful ways to make meetings relevant and memorable.

That’s why I love to design and facilitate group work at conferences. I’ll probably never get to facilitate the kind of exposure in Seth Godin’s example (and that’s fine by me). But group work has the power to engage and transform attendee learning and connection in ways that conventional broadcast sessions cannot match. It should be top-of-mind for every event professional who wants to hold engaging and successful meetings.

Image attribution: Lyndi & Jason, Dallastown PA, United States [CC BY-SA 2.0], via Wikimedia Commons

When the audience can’t stop talking about what they did

When the audience can't stop talking: an illustration of a person standing in front of a host of doors

When the audience can’t stop talking about what they did…

Last week, I led The Solution Room for a group of New York City attorneys. When it ended at 8 pm, after two hours of continuous intense conversation and connection, no one left. The participants, despite having worked a full day before my evening session, hung around and talked and swapped business cards while venue workers patiently reset the room for the law firm’s next business day.

For me, having people unwilling to leave after one of my sessions is over is a sign of success. It’s an example of what Seth Godin calls viral work.

Important work is easily dismissed by the audience. It involves change and risk and thought.
Popular work resonates with the people who already like what you do.
Viral work is what happens when the audience can’t stop talking about what you did.

Every once in awhile, all three things will co-exist, but odds are, you’re going to need to choose.
—Seth Godin, Important, popular or viral

I like Seth’s definition of viral work, but I’d change one word to better describe my facilitative work.

“Viral work is what happens when the audience can’t stop talking about what they did.”

Because, it’s not about me.

How often do you get to do viral work? Share your successes in the comments below!

[P.S. I don’t usually photograph the challenge representations drawn by Solution Room participants because they can contain personal information, but I made an exception for the charming image that graces this post.]

Three ways to make it easier for attendees to participate

easier attendee participation: Adrian Segar caramelizes crème brûlée at a private dinner in SpainHow do we get people to participate in meetings? How can we design for easier attendee participation?

We know that participants — people who are active learners — learn more, retain more, and retain more accurately than passive attendees. They are also far more likely to make valuable connections with their peers during the event.

Seth Godin describes a desirable meeting mindset:

What would happen…

if we chose to:

…Sit in the front row

Ask a hard question every time we go to a meeting…

All of these are choices, choices that require no one to choose us or give us permission.

Every time I find myself wishing for an external event, I realize that I’m way better off focusing on something I can control instead.
—Seth Godin, What Would Happen

All good, but Seth begs this question. What can meeting designers do to make it easier for attendees to participate more at meetings?

Three things to do for easier attendee participation

First, we need to model participation throughout our event. In Spain last month, I was invited for dinner at a local family’s home. Besides being treated to amazing food, drink, and conversation, I was casually encouraged to use a branding iron to melt the sugar on our crème brûlée. I was politely asked to help wash the dishes. Being an active participant during the evening, even in these small ways, made me part of the experience. I was not a passive consumer. Participating added significantly to my enjoyment and connection to the kind couple who had invited me into their home.

Second, people prefer to participate when they feel safe when doing so. There are many ways to increase attendees’ safety. Some examples: creating a culture of listening, agreeing on group-wide covenants, and providing process that is comfortable for introverts.

And third, always remember that we can’t make people do anything. Ultimately what they do is their choice. So it’s important to convey that participation is always optional. I’ve found that when attendees know they have the option to opt-out they are more likely to participate.

What approaches have you used to make it easier for your attendees to participate? Share your ideas in the comments below!

Asking for help

asking for help: A photograph of two outstretched hands with fingers spread appearing above a hill in a barren landscape. Photo attribution:  Flickr user marinadelcastell

Sometimes, the best thing we can do is to ask for help.

I ask for help

I had been fretting for several months on how to move ahead on convening and facilitating more of the participation technique workshops that are dear to my heart. What would the interest be? How would I market them? Which countries and venues should I consider?

The exploratory work involved was daunting. I started some market and venue research in my spare time, but progress was slow. There was so much to do before I could even begin to announce anything.

Finally, I realized I was acting like the person (stereotypically a man, right?) who’s lost and can’t bring himself to ask for directions.

I needed to ask for help.

It was hard for me to get to the point of asking for help. Despite knowing and preaching about the power of networks to create change, I was trained to figure stuff out by myself, and I still often revert to that old mindset. My ingrained instinct is to investigate a situation by looking at possibilities, only finally moving to action once I’ve got a solid plan. Sometimes that’s a good strategy. But sometimes, I need to practice transformational tourism.

Merely looking at [or listening to] something almost never causes change. Tourism is fun, but rarely transformative.

If it was easy, you would have already achieved the change you seek.

Change comes from new habits, from acting as if, from experiencing the inevitable discomfort of becoming.
Transformation tourism, Seth Godin

I became someone who asks for help. In 30 minutes I wrote a request for assistance on this blog and promoted it through my usual channels on social media: Twitter, LinkedIn, Google Plus, and some Facebook event professional groups.

What happened

The results were swift and gratifying.

Within a week I had been contacted by numerous friends and colleagues, and had found several partners who were a wonderful logical fit.

Two weeks later, we began planning workshops in the United States, Canada, and Europe!

I hope I’ve learned something. I hope that next time I’ll be ready to ask for help a little sooner.

How about you? Don’t be like this guy.

Try a new habit.

Ask for help.

You may be amazed at what happens when you do.

Photo attribution: Flickr user marinadelcastell

If you want passion and engagement, don’t lecture or test

passion and engagement: photograph of the backs of a happy couple, arm-in-arm, sitting on the shoreline looking out to sea. Photo attribution: Flickr user 98810885@N07
Magical events change people’s lives. Great events foster passion by providing well-designed opportunities for significant engagement with peers. For passion and engagement, you need a tribe—be it two or a hundred other people—with whom you relate and connect while you’re together at the event, and, hopefully, afterward too.

For passion and engagement to be possible, what should we avoid?

“If you want people to become passionate, engaged in a field, transformed by an experience — you don’t test them, you don’t lecture them and you don’t force them. Instead, you create an environment where willing, caring individuals can find an experience that changes them.”
—Seth Godin, “Will this be on the test?”

Hmm…don’t test, lecture, or force people to do what they don’t want to do.

As Antoine de Saint-Exupéry said, seventy years ago:

“Building a boat isn’t about weaving canvas, forging nails, or reading the sky. It’s about giving a shared taste for the sea, by the light of which you will see nothing contradictory but rather a community of love.”
—Antoine de Saint-Exupéry, “Citadel”, 1948, translated from the French

Giving people the opportunity and support for meaningful emotional experiences gives them the gift of potentially changing in positive ways.

Photo attribution: Flickr user 98810885@N07

Two ways to take a hard look at conference evaluations

hard look at conference evaluations: an illustration of people looking at evaluation formsLet’s take a hard look at conference evaluations. Seth Godin wrote a great blog post about survey questions, and applying two of his insights will improve any conference evaluation.

First, ask yourself the following about every question you ask:

Are you asking questions capable of making change happen?
After the survey is over, can you say to the bosses, “83% of our customer base agrees with answer A, which means we should change our policy on this issue.”

It feels like it’s cheap to add one more question, easy to make the question a bit banal, simple to cover one more issue. But, if the answers aren’t going to make a difference internally, what is the question for?
—Seth Godin

In other words, if any question you ask doesn’t have the potential to lead you to change anything, leave it out!)

Second, think about Seth’s sobering experience when responding to “Any other comments?” style questions:

Here’s a simple test I do, something that has never once led to action: In the last question of a sloppy, census-style customer service survey, when they ask, “anything else?” I put my name and phone number and ask them to call me. They haven’t, never once, not in more than fifty brand experiences.

Gulp. Would your evaluation process fare any better? As Seth concludes:

If you’re not going to read the answers and take action, why are you asking?

Take a hard look at your conference evaluations. You may be surprised by what you find.

Design conferences for a connection economy

A conference connection economy: A black and white photograph of a wooden pulley. Two sisal ropes loop around the pulley on its right. On the left of the pulley is a metal shackle with two metal ropes attached to it.
Useful knowledge increasingly resides in our social networks, not in our individual heads. Consequently, we are moving from an industrial economy to a connection economy. One which creates value by concentrating on building relationships rather than stuff.

In the connection economy, there’s a dividing line between two kinds of projects: those that exist to create connections, and those that don’t.
—Seth Godin, First, connect

Do you design your conferences for a connection economy or an industrial economy?

Photo attribution: Flickr user ch-weidinger

Measurable work—it’s a trap!

measurable work: a clip from Star Wars Episode VI: Return of the Jedi where Admiral Ackbar says "It's a trap!"If you are a “professional”, doing measurable work can be harmful to your future.

For over a hundred years, management has been obsessed with measuring what workers do. The rationale was to improve efficiency and cut out the dead wood. Until quite recently, this affected mainly factory workers. White-collar workers were relatively safe.

Not anymore.

Computers can apply scientific management principles to an ever-increasing number of professions. The result?

“What’s the close rate, the change in user satisfaction, the clickthroughs, the likes?

You can see where this is heading, and it’s heading there fast:

You will either be seen as a cog, or as a linchpin. You will either be measured in a relentless race to the bottom of the cost barrel, or encouraged in a supportive race to doing work that matters, that only you can do in your unique way.

It’s not easy to be the person who does unmeasurable work, but is there any doubt that it’s worth it?”
—Seth Godin, Scientific Management 2.0

I’ve written elsewhere about why measurable outcomes aren’t always a good thing and my skepticism that ROI can be measured in social media.

Nevertheless, Seth’s final warning about measurable work is worth repeating.

It’s not easy to be the person who does unmeasurable work, but is there any doubt that it’s worth it?